TIFF 2025: Yeon Sang-ho Challenges Perceptions of Beauty in 'The Ugly'

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Exploring the Complexities of Beauty and Ugliness in The Ugly

Writer and director Yeon Sang-ho has long been known for his bold approach to storytelling, delving into themes that challenge societal norms and provoke deep reflection. In his latest film, The Ugly, he continues this tradition by examining the pressures of a growth-centric society in South Korea. Using the metaphor of ugliness and beauty, the film explores how individuals are often judged not just on their appearance but on the values they represent in a world obsessed with success.

At the heart of the film are two central characters: Im Yeong-gyu and Jung Young-hee. These characters serve as a lens through which Yeon Sang-ho critiques the cultural emphasis on achievement. Im Yeong-gyu, a visually impaired man who has become a celebrated figure in the visual art industry, embodies the paradox of success in a society that often overlooks personal struggles. His journey is juxtaposed with that of Jung Young-hee, a character whose quiet strength and unyielding presence challenge the status quo.

The narrative of The Ugly unfolds across two timelines—present day and 1970s South Korea. This structure allows the film to explore the evolution of societal values and the lasting impact of past actions. The 1970s, a period marked by rapid development, celebrates figures like Yeong-gyu who embrace a growth mindset. However, the story also introduces Jung Young-hee, a character whose existence disrupts this narrative. Her mysterious disappearance and the subsequent focus on her physical appearance highlight the ways in which society can marginalize those who do not conform to its ideals.

Jung Young-hee’s portrayal is particularly significant. She represents an uncomfortable truth that many would rather ignore. According to Yeon Sang-ho, her ostracization stems from her embodiment of justice that challenges the prevailing norms. This aspect of her character adds depth to the film’s exploration of beauty and ugliness, suggesting that true ugliness may lie not in appearance but in the actions and attitudes of those who judge others.

Casting played a crucial role in bringing these complex characters to life. Shin Hyun-been, who has worked with Yeon Sang-ho before, takes on the role of Jung Young-hee. Despite the challenge of not being seen on camera, she focused on capturing the essence of the character’s inner strength. Her performance highlights the resilience of someone who refuses to be defined by others’ opinions.

The film also features Im Sung-jae as Baek Ju-sang, a powerful figure who wields influence over those around him. His character reflects the complexities of the era, where individuals could thrive without necessarily being malicious. Through his portrayal, Im Sung-jae captures the nuanced reality of a time when such figures were both admired and feared.

Park Jeong-min and Kwon Hae-hyo share the role of Im Yeong-gyu, portraying both the younger and older versions of the character. Their performances emphasize the emotional and psychological changes that come with age and experience. Park Jeong-min’s portrayal of the younger Yeong-gyu allows for a more exaggerated expression of emotions, while Kwon Hae-hyo brings a sense of weariness and detachment to the older version of the character.

Han Ji-hyun, who plays producer Kim Su-jin, brings a compelling dynamic to the film. Her character’s shift from documenting Yeong-gyu’s achievements to investigating Young-hee’s fate highlights the ethical dilemmas faced by journalists. Her persistence and determination underscore the importance of giving voice to those who have been forgotten.

Through these characters and their interactions, The Ugly invites audiences to reflect on the nature of beauty and ugliness. Yeon Sang-ho challenges viewers to consider whether these concepts are truly objective or if they are shaped by societal influences. The film’s ending leaves lingering questions about the impact of societal pressures on individual choices and the difficulty of remaining unaffected by them.

As the film makes its way to theaters in the United States, it promises to spark meaningful conversations about the values we prioritize and the judgments we make. The Ugly is not just a story about individuals; it is a reflection of the broader societal landscape that shapes our perceptions and behaviors.